Pitching isn't about explaining your plot. It's about performing your story and proving you're the only person to tell it. Here's what you need to know.

Short screenplays are a sprint, not a marathon. In 12–15 pages, you must hook the audience, build a world, make us care, and land an emotional punch before the credits roll. This guide offers one approach via a streamlined version of the eight-sequence story structure.

In this crash course, we'll be breaking down the key elements that'll turn your game cinematics from "Meh, hit hold B and skip it" to "Holy crap, play that again!"

This worksheet is designed to ground a project before the creative chaos begins. It helps me define what we’re making, who it’s for, and how it fits into the larger creative and production ecosystem.

A collection of questions I use to brainstorm, build characters, shape story structure, or… just get unstuck and make the blank page un-blank.

Questions I ask myself when I finish a project or to get unstuck.

Worksheet to facilitate the crafting of Scenes, Sequels, and Sequences, helping shape each unit with a strong point of view, escalating conflict, emotional clarity, and visual intention.

A relic of my Alias days, this worksheet reminds me of elements to consider when blueprinting an action or heist set piece for film, TV, or games.